Keanu Charles Reeves, born in Beirut, Lebanon, in September 1964 and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.
Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.
Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.
After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).
Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.
As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.
Whoaaa – that's Keanu Reeves' trademark phrase, first uttered as dimwitted stoner Ted Logan in Bill & Ted's Excellent Adventure. To battle being typecast as brainless, Reeves tackled Shakespeare onstage as Hamlet and onscreen in Much Ado About Nothing, opposite Denzel Washington. But it was his action hero roles in Speed and the Matrix trilogy that put the excellence in his career.
Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers's romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock.
Reeves played the main character in two 2008 films, Street Kings and The Day the Earth Stood Still. In February 2009 The Private Life of Pippa Lee -where Reeves starred alongside Robin Wright Penn, Julianne Moore, Alan Arkin, Winona Ryder, Maria Bello, Monica Bellucci, Zoe Kazan, Ryan McDonald, Blake Lively, Robin Weigert-, was presented at Berlinale.
Reeves started filming the surrealist romantic comedy Henry's Crime in December 2009, with filming set to wrap in early 2010. After this he will be starting work as producer and star on the science-fiction space drama Passengers, written by Jon Spaihts.
In January 2009, it was revealed that Reeves will star in the live-action film adaptation of the anime series Cowboy Bebop, slated for release in 2011. Other upcoming projects include the samurai film 47 Ronin, Chef - story by Reeves and written by Steven Knight, and a modern retelling of the Robert Louis Stevenson classic Strange Case of Dr Jekyll and Mr Hyde, scripted by Justin Haythe and titled Jekyll. Nicolas Winding Refn is in negotiations to direct and was later replaced by Dennis Iliadis and produced by Universal Pictures.
Reeves citizenships are: U.S. (through his father) and Canadian (by naturalization). Since April 30, 2003, he has also been entitled to British citizenship by having an English-born mother. Reeves grew up as a Canadian and identifies as such.
In 2008 Reeves was sued, unsuccessfully in Los Angeles Superior Court for US$ 711,974 by paparazzo Alison Silva for allegedly hitting and injuring him with his Porsche after visiting a relative at a Los Angeles medical facility. The paparazzo's lawsuit took a year and a half to make it to trial, with all 12 jurors rejecting the case in just over an hour. The paparazzo allegedly tried to make quick money by suing him.
Reeves also has musical interests in bass guitar for the grunge band Dogstar during the 1990s, and in the 2000s, he has performed with the band Becky.
His personal life has been less charmed. He has never married. In December 1999, Reeves' girlfriend Jennifer Syme gave birth to a stillborn daughter who was named Ava Archer Syme-Reeves before her death in a 2001 car accident; his sister Kim is fighting leukemia. When he's not acting, Reeves rides motorcycles, plays bass in his rock band Dogstar, and leads a largely reclusive life.
Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.
After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).
Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.
As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.
Whoaaa – that's Keanu Reeves' trademark phrase, first uttered as dimwitted stoner Ted Logan in Bill & Ted's Excellent Adventure. To battle being typecast as brainless, Reeves tackled Shakespeare onstage as Hamlet and onscreen in Much Ado About Nothing, opposite Denzel Washington. But it was his action hero roles in Speed and the Matrix trilogy that put the excellence in his career.
Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers's romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock.
Reeves played the main character in two 2008 films, Street Kings and The Day the Earth Stood Still. In February 2009 The Private Life of Pippa Lee -where Reeves starred alongside Robin Wright Penn, Julianne Moore, Alan Arkin, Winona Ryder, Maria Bello, Monica Bellucci, Zoe Kazan, Ryan McDonald, Blake Lively, Robin Weigert-, was presented at Berlinale.
Reeves started filming the surrealist romantic comedy Henry's Crime in December 2009, with filming set to wrap in early 2010. After this he will be starting work as producer and star on the science-fiction space drama Passengers, written by Jon Spaihts.
In January 2009, it was revealed that Reeves will star in the live-action film adaptation of the anime series Cowboy Bebop, slated for release in 2011. Other upcoming projects include the samurai film 47 Ronin, Chef - story by Reeves and written by Steven Knight, and a modern retelling of the Robert Louis Stevenson classic Strange Case of Dr Jekyll and Mr Hyde, scripted by Justin Haythe and titled Jekyll. Nicolas Winding Refn is in negotiations to direct and was later replaced by Dennis Iliadis and produced by Universal Pictures.
Reeves citizenships are: U.S. (through his father) and Canadian (by naturalization). Since April 30, 2003, he has also been entitled to British citizenship by having an English-born mother. Reeves grew up as a Canadian and identifies as such.
In 2008 Reeves was sued, unsuccessfully in Los Angeles Superior Court for US$ 711,974 by paparazzo Alison Silva for allegedly hitting and injuring him with his Porsche after visiting a relative at a Los Angeles medical facility. The paparazzo's lawsuit took a year and a half to make it to trial, with all 12 jurors rejecting the case in just over an hour. The paparazzo allegedly tried to make quick money by suing him.
Reeves also has musical interests in bass guitar for the grunge band Dogstar during the 1990s, and in the 2000s, he has performed with the band Becky.
His personal life has been less charmed. He has never married. In December 1999, Reeves' girlfriend Jennifer Syme gave birth to a stillborn daughter who was named Ava Archer Syme-Reeves before her death in a 2001 car accident; his sister Kim is fighting leukemia. When he's not acting, Reeves rides motorcycles, plays bass in his rock band Dogstar, and leads a largely reclusive life.